‘Credit History’ Off-site Show as part of the ‘Dirty Laundry’
Title: Credit History Artists: Arthur Golyakov, Vanya Venmer, Javier Trivino Murillo, Christian Roncea, Ekaterina Serikova, Christophe De Rohan Chabo, Leyli Aslanova, Nikolay Georgiev, PLAGUE Curator: PLAGUE Text: Arthur Golyakov Venue: Krasnodar, Russia
Text: The end of the story didn’t happen? The 20th century is not over yet No age is over yet The story still lasts Maybe the French Revolution is going on? Maybe all the revolutions are going on?
Layer by layer, the frames are superimposed on one another, everything is mixed up. In what layer was our presence? Children of what events are we?
The 20th century still haunts us All ages haunt us
Exhibition viewPLAGUE, ‘Plague Against Art’, 2022, cotton, black reinforced tape, dimensions varyPLAGUE, ‘Plague Against Art’, 2022, cotton, black reinforced tape, dimensions varyExhibition viewavier Triviño Murillo, ‘I will just dedicate myself to commercial art’ 2022, digital printing, ground, adhesive tape, 40×50,85cmavier Triviño Murillo, ‘I will just dedicate myself to commercial art’ 2022, digital printing, ground, adhesive tape, 40×50,85cmavier Triviño Murillo, ‘I will just dedicate myself to commercial art’ 2022, digital printing, ground, adhesive tape, 40×50,85cmExhibition viewArthur Golyakov, ‘Untitled (W&Box)’, 2022, extruded polystyrene foam (XPS), cardboard, acrylic, spray paint, masking tape, reinforced tape, dimensions vary Arthur Golyakov, ‘‘Untitled (W&Box)’, 2022, extruded polystyrene foam (XPS), cardboard, acrylic, spray paint, masking tape, reinforced tape, dimensions vary (Details)Arthur Golyakov, ‘Untitled (W&Box)’, 2022, extruded polystyrene foam (XPS), cardboard, acrylic, spray paint, masking tape, reinforced tape, dimensions varyExhibition view Nikolay Georgiev, ‘Untitled’, 2022, print on banner, 140 x 200 cm Nikolay Georgiev, ‘Untitled’, 2022, print on banner, 140 x 200 cmExhibition viewEkaterina Serikova, ‘Laughing in front of the waterfall’, 2022, pencil, paper, mixed media (dimensions without frame)Ekaterina Serikova, ‘Laughing in front of the waterfall’, 2022, pencil, paper, mixed media (dimensions without frame)Christophe De Rohan Chabot, ‘Untitled (CUM – black/red)’, 2022, uv print on aluminum, mat, matt aluminum frame, 30 x 30 x 4,5 cmChristophe De Rohan Chabot, ‘Untitled (CUM – black/red)’, 2022, uv print on aluminum, mat, matt aluminum frame, 30 x 30 x 4,5 cmChristophe De Rohan Chabot, ‘Untitled (CUM – black/red)’, 2022, uv print on aluminum, mat, matt aluminum frame, 30 x 30 x 4,5 cmVanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cmVanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm (Details)Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm (Details)Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm (Details)Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm (Details)Exhibition viewExhibition viewExhibition viewLeyli Aslanova, ‘Frustrated boys’, 2022, paper, pencils, markers, acrylic, oil pastel, scratching, 21,5 x 32 cmLeyli Aslanova, ‘Frustrated boys’, 2022, paper, pencils, markers, acrylic, oil pastel, scratching, 21,5 x 32 cmChristian Roncea, ‘There is nothing here’, 2022, video work, 01:19 minutes
